These are all found on the SFCM theory department's website.
This page acts primarily as a convenience. All of the links will take you to the Department of Musicianship and Music Theory website.
Eartraining, third semester. Chromatic solfege in five clefs, rhythmic practice, dictation of intervals, harmonies including modulations, rhythms, melodies, and the like.
A continuation of harmony, with a focus on chromatic harmony and more advanced levels of modulation. Formal analysis continues with examination of the song forms—one-part, two-part, three-part, and compound.
First of two semesters. Keyboard Harmony concentrates on transposition, harmonization, orchestral score-reading, and realizing figured bass.
First of two semesters. Schenkerian analysis in a full, one-year course open to undergrads and graduates alike.
